Michel La Veaux is a Quebec renowned cinematographer. Throughout his career, Michel La Veaux has worked closely with several directors, developing relationships based on trust and artistic continuity. Three-time finalist for the Jutra Award for Best Cinematography—for Catherine Martin's Trois temps après la mort d'Anna, Micheline Lanctôt's Pour l'amour de Dieu, and Sébastien Pilote's Maria Chapdelaine—he won the award in 2014 for his work on Sébastien Pilote's Le démantèlement. In 2015, he directed Hôtel La Louisiane, his first feature-length documentary, which was critically acclaimed and appreciated by audiences. He continued his career with notable projects such as Benoît Pilon's Iqaluit and Guy Édoin's Les exilés, before signing La disparition des lucioles, which earned him the award for Best Cinematography for a Canadian film at the Whistler Film Festival. His collaboration with Sébastien Pilote continues with Maria Chapdelaine. Michel La Veaux has also directed several personal documentaries, including Labrecque, une caméra de la mémoire and Deleau: le cinéma en liberté, exploring memory and cinema through an intimate and poetic lens. Filmography • Deleau: le cinéma en liberté, feature-length documentary, 2025. • Labrecque, une caméra de la mémoire, 2017, feature-length documentary, Best Documentary Film, History of Cinema at the Pessac International History Film Festival. • Hôtel La Louisiane, feature-length documentary, 2015. Official selection, Festival l’Europe autour de l’Europe, La Rochelle International Film Festival, France. Abitibi-Témiscamingue International Film Festival, Winner of the Communications & Society Award • Sincèrement Guy Lécuyer, feature-length documentary, 2000