Almost

Legal

Two friends living the good life in the Arcachon basin decide to become entrepreneurs and take over a local grocery store, which they transform into a night trafficking hub—until the police get involved. The director enlists the queen of ensemble comedies, Marie-Anne Chazel (from "Les Bronzés"), for his own choral film, a delightful nod back to her, as he also films his real group of friends. This comedy serves as a showcase for a dystopia centered on the ultra-connected, ultra-stylish Gen Z, playfully pushing back against ageism, and finds its place between the humor of the Splendid troupe and Fifi.